摘要
该文通过对我国民族传统公祭建筑华表从语言、历史两个方面进行回顾,进而借助人类学的理论和方法进行分析,认为华表作为一个中国文化的符号表征系统,反映了中国传统建筑的审美本质,特有的优美和崇高等审美形态的内涵、以及中国人审美地生存、诗意地栖居社会生态观念。
After having made a review of Huabiao, a Chinese traditional symbol of architecture for public sacrifices, In terms of language and history, and then having undertaken a further analysis of It with the support of anthropological theories and methods, this paper reaches a conclusion that Huabiao, as a symbolic system of Chinese cuffures, manifests the aesthetic essence of Chinese traditional architectures, their aesthetic connotations of peculiar elegance and loftiness, and Chinese people's social and ecological concept of aesthetic living and Idyllic habitation.
出处
《华中建筑》
2006年第9期131-132,140,共3页
Huazhong Architecture
基金
国家社会科学研究基金项目<青海审美文化>的阶段性成果之一
编号04XZ004
关键词
华表
公祭建筑
人类学
审美文化
Huabiao, Buildings for public sacrifices, Anthropology, Aesthetic culture