摘要
文字是书写语言的符号系统,但对汉语来讲汉字不仅是形音义的统一体,汉字传承的还是一种民族思维,一种深层文化的结晶。字与字的组合也一样,它们不是随心所欲地拼凑,也不只是一个平面的结合。如果我们把造字与组字看作是一种“艺术的创作”,那么它们遵循的原则应该来自于人们的美感经验,这也可以理解为将表层的形象,表面的知觉引向满足深层的非功利的人类审美与心理的需要。
The character is the symbol system of writing a language. But to Chinese language the character is not only an entity of shape, pronunciation and meaning, and it also inherits one kind of national thought, one kind of in - depth culture crystallization. The character and the character combination are also the same. They are not simply pieced together. If we take the character making and the character combining as "the artistic creation", we can find the principles they follow come from people' s aesthetic experience. This can also be interpreted as the image of the surface and the deep human non -utilitarian aesthetic and psychological needs to be met by surfacial perceiveness.
出处
《柳州职业技术学院学报》
2006年第4期93-95,120,共4页
Journal of Liuzhou Vocational & Technical College
关键词
寒
冷
文化
审美
cold
chilly
culture
aesthetic