摊簧腔“起、平、落”结构探源

The origin of the structure of “Tan Huang Qiang”

本文为作者在2004年“第二届长江三角洲摊簧学术研讨会”上的发言,主要就摊簧腔“起、平、落”结构的形成来源问题初作探讨:涉及历史上[摊簧调]、[花鼓调]与现今“摊簧腔”的区分;苏南说唱音乐“宣卷”、“说因果”对于“摊簧腔”结构形成的重要影响;力求从流变与综合的高度来揭示传统音乐的发展规律。

In this paper, the origin of ＂Tan Huang Tone＂ structure -＂Qi, Ping, Luo＂ was discussed, which is based on the author＇s speech on the ＂Second term Yangtze River Delta academic Conference on Tan Huang＇. The paper included the distinction between Tan Huang at present time and ＂Tan Huang Tone＂ and ＂Hua Gu Tone＂ in the past, the great influence of ＂Xuan Juan＂ and ＂On Karma＂ on the conformation of ＂Tan Huang＂ structure, and the law of traditional music development on the basis of permutation and comprehensiveness.