余华《兄弟》的叙事特征与创作得失

On the Narrative Character and the Success and Failure of Yu Hua's Brothers

探讨了余华长篇新作《兄弟》的叙事特点及上、下两部的叙事差异。相对而言上部可以概括为“悲情叙事”,将历史、暴力、罪恶与人性中最为本质的爱紧密融铸在一起;下部可概括为“欲望叙事”,对欲望进行凸出、放大的书写。另外,下部存在精确的细节叙述等优点和结构失衡等缺点。

This paper discusses the difference in narrative style between the two parts of Yu Hua＇s new novel Brothers：pessimism-narration and appetency-narration. The form of Pessimism-narration style is mixed with history, violence, crime and love. Appetency-narration refers that appetency was projected and enlarged in the story. The excellence of the second part of the novel is precise-detail depiction, while the defects are the unbalance of the structure.