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论《歧路灯》的写人艺术

On the Art of Portrait of the Characters in The Lamp over the Branch Road
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摘要 《歧路灯》最突出的艺术成就是塑造了众多栩栩如生的人物形象,此小说的人物形象塑造呈现出三个显著特点:一是独特性,败子及浮浪子弟群像,填补了中国古典小说人物类型的某些空白;二是丰富性,同类群像如此之多,在中国古典小说中是没有过的;三是鲜明性,一些反面人物、小人物个性鲜明。作者运用了环境描写、人物语言、心理描写、矛盾冲突及对比手法等高超的写人艺术,塑造出如此众多鲜明独特的人物形象。 The most distinguished achievement of The lamp over the Branch Road is its creation of a number of vivid images who are of the following three features: Number one, its uniqueness: the creating of the image of the black sheep of a family and playboys filled up the blank page of the classical Chinese novels; number two, its diversity of images, there was never that many images of the same kind appearing in the classical Chinese novels before; number three, its vividness: its vivid images of the characters playing a part role in a novel. By taking advantages of the means of environment description, description of the dialogue and psychology of characters, and that of the conflicts, and comparison, the author created a number of live images.
作者 王海燕
出处 《湘南学院学报》 2006年第6期43-47,共5页 Journal of Xiangnan University
关键词 《歧路灯》 人物形象 艺术手法 The Lamp over the Branch Road image artistic tactic
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参考文献3

  • 1赵林成,等.汝州全志:卷五·风俗[Z].刊本,道光二十年(1940).
  • 2冯友兰.歧路灯·序[C].栾星.《歧路灯》研究资料.郑州:中州书画社,1982.
  • 3李绿园著.《歧路灯》.中州古籍出版社,1998版.

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