试论李清照词的审美客体化

The Express of Aesthetic Object in Li Qing-zhao's Poetry

李清照的词在中国古代文学史上有不可忽视的价值,但是,其创作成就放在诸多男性作家中并不十分出色.究其原因,封建社会对女性气质的性别角色塑造是不可忽略的因素.整个封建社会中,对女性意识的审美客体化评价严重影响了她的创作理论和实践,压制了她作为创作主体的自由和胆识,限制了她在词作和词论方面的成就.从李清照创作中女性角色定位入手,挖掘隐于作品中的创作客体现象,并追溯其原因.通过研究李清照的审美客体现象,论证女性作家角色意识在作品中的投影.

Li Qing-zhao was a famous female writer in the history of Chinese literature. She was not an important writer among the male writers. It was gender discrimination that led to the result. Because her classical poetry and theory were influenced by the man ideas, she lost the freedom and courage as a artistic creation object. Therefore, the gender culture chained Li Qing-zhao＇s literature achievement, her works showed aesthetic objective style. The papers verified that the woman author always had the tendency of object in the works from the case of Li Qing-zhao＇s phrase.