一个形式分析——方形画面的空间架构

Analysis of a Form-Space Structure of Square Painting

方形是一个古典的形制,曾经被古典时期的艺术家广泛地采用,在巴洛克时期以后日渐式微。近百年来,随着抽象绘画的兴起及发展又得到了复兴。本文从空间架构一词入手,指出空间架构的目的旨在营造一个严谨的建筑性的形式整体。在再现性绘画中,结构画面的基本问题是将垂直—水平方格系统及中心系统这两个系统在同一画面中做出合理的安排,并将画面中的各个视觉要素纳入它们的系统。同时,画面的平衡、美的分割形式、运动的空间、整体的协调所形成的形式的美感是作为具体的准则被提出来的。文章从方形的图形特征、方形画面空间秩序感的获得两个方面来进行论述。

Square is a basic form, that was faint after Baroque hut it has used wide - ranging by the painter of classicism for a long time. Beginning from the past century it was revived accompanying the abstract painting arisen and grown. In this text we will begin at the word ＇ space structure＇ and point out purpose of it is construct a form whole rigorously. In the realism painting, the basic problem of composition is plan the Cartesian grid system and the centric system in a same painting rational then make all of the vision essential factor channel into their system. At the same time balance of the tableau and cut apart form of the beauty and movement space and coordination of whole be put forward as a specific norm. The text be demonstrated from two sides them are figure characteristic of the square and space sequence of the square painting be acquired. In the forth part of the text we will give some classic figure that even used by the former painter and some perfect figure can be applied. By the analysis about the particular method and principle of gain the perfect composition in the third part of this text make it with some meaning of methodology.