中国古代儒家学说中的音乐存在论阐释——音乐作品的存在与存在方式

The Explanation on the Ontology of Chinese Ancient Confucianism——the existence and the method of being of music works

在音乐审美活动中,中国人有着独特的重感悟的思维方式,主客体相互沟通,将音乐看成是“心”与“音”浑然统一的整体。音乐是“声”、“音”、“乐”、“意”的复合体,音乐作品的存在是由这四个相互关联的层面所构成的。音乐存在的感性特征———运动性、表演性、聆听性都浑然地体现在表情性、自娱性与空灵性中。

In the activities of musical aesthetics, Chinese people have the special and attaching importance to be moved arid comprehend thought way, the subject and object intercommunicating, they regard the music as one integrated mass of ＂heart＂ and ＂sound＂. Music is the composite made up with the four relating aspects： voice . sound . music and ＂meaning＂, and the four aspects compose the existence of musical works. The geist characteristic of the music existence-- the motility, performance, listening respectfully am completely showed in expression, amusement and vacancy.