4Yingjin Zhang,Chinese National Cinema.London:Routiedge,2004,281-296页.
5毕克伟（Paul Pickowicz).Huang Jianxin and the Notion of Postsocialism.Nick Browne,Paul Pickowicz,Vivian Sobchack,and Esther Yau,New Chinese Cinemas:Forms,Identities.Politics.New York:Cambridge University Press,1994;58-59页.第60-62，80-83页.
6Paul Pickowicz.Velvet Prisons and the Political Economy of Chinese Filmmaking.eborah Davis,Richard Kraus,Barry Naughton.and Elizabeth Perry,Urban Spaces in Contemporary China.The Potential for Autonomy and Community in Post-Mao China.New York:Cambridge University Press,1995,193-220页.
7裴开瑞（Chris Berry)and Mary Ann Farquhar.Post-Sociailst Strategies.An Analysis of Yellow Earth and Black Cannon Incident Linda Ehdich and David Desser,Cinematic Landscapes.Observations on the Visual Arts and Cinema of China and Japan.Austin.University of Texas Press,1994,84页.
8Arif Dirlik and Xudong Zhang.Introduction:Postmodemism and China.Boundary2 24.3(1997),4页.
9Xudog Zhang.Epilogue:Postmodernism and Post-Socialist Soclety-Histoncizing the Present.Arif Dirlik and Xudong Zheng,Postmodemism and China Durharn,NC:Duke University Press,2000,437-38页.
10Xudong Zhang编:Whither China?Intellectual Politics in Contemporary China.Durham,NC:Duke University Press,2001.
