摘要
施蛰存是中国“新感觉派”的代表作家之一。在上世纪30年代左翼文艺思潮风靡全国时,他并不趋时,而是借鉴弗洛伊德主义的无意识理论及人格结构学说,进行心理分析小说的创作,注重对人物深层心理剖析。他在表现技巧方面也主要是借鉴了弗洛伊德理论关于梦幻、自由联想和内心独白等意识流小说常用手法。施蛰存将“五四”以来中国现代作家对弗洛伊德主义理论的借鉴、运用推进到了一个新的阶段。
She Zhe-cun was one of the representatives of "the new feeling school". When the left-wing artistic and literary trend was prevalent in the 1930s' China, Shi wrote in a different mode. In the light of unconsciousness and character structure of Freudianism, he engaged in psycho-analytic novel writing, stressing on the in-depth interpretation of his literary characters. In literary expression, he mainly absorbed the stream-of-consciousness technique, such as dreams, free association and interior monologue which are frequently used in novel writing. By assimilating and applying Freudianism, he ushered in a new stage in modem Chinese literary creation after the May Fourth Movement.
作者
胡勇
HU Yong (Jiangmen Voc-Tech Institute, Jiangmen 529000, China)
出处
《新乡师范高等专科学校学报》
2007年第1期107-110,共4页
Journal of Xinxiang Teachers College