现代史剧创作主体论

On Dramatist of Historical Drama

在史剧创作中存在着“历史戏剧化”和“戏剧历史化”两种不同的思维方式。在中国现代,戏剧历史化导致史剧创作中“历史主义”和“古为今用”的功利主义和实用主义原则的盛行,使史剧越来越远离人性和人文精神。在历史戏剧化过程中,创作主体是核心,他连通古今,使历史真正成为人的历史,并且是现代人的历史。改变过去史剧研究重“史”不重“人”的思维逻辑,中国现代史剧现代性核心是创作主体思想意识的现代性。

There exist two modes of thinking, historical dramatization and dramatic ＂hlstoricization＂ （ caused to be or to be llke the history ） in the production of histortieal drama. Dramatic ＂historicization＂ resulted in two principles for the production of historical dramas, historicism and ＂making tthe past serve the present＂. On the contrary ,the mode of historical dramatization has not been fully recognized and interpreted in theory although it is the right mode of dramatic production and theoretical criticism, and it has gained great schicvements in the production of modern Chinese historical dramas.