摘要
作为“十七年”集体实验范本之一的《红旗谱》,在革命意识形态的指挥棒下,呈现的是一种革命历史化的叙事模式:革命的浪漫激情在历史成长的记忆中被激活;历史成为叙述的“主体”,直接从后台走向前台;英雄这种人格化形象在历史革命化进程中尽情表演和演绎。这种叙事方式是对民族国家社会秩序合法性的一种确证和体认。
As one of revolutionary history novels of new country, The Ancestry of Red Flag under revolution ideology music director sticks, presenting one kind of revolutionary history narrative mold: The revolutionary romantic fervor was stirred up in the history memory ; the history becomes the narration "the main body", moves dlreetly from the backstage bites towards fronts; The heroic this kind of personification image heartily performs in the historical revolution advancement. Which and tries to provide the social order rational the proofs in literature.
出处
《喀什师范学院学报》
2007年第1期68-71,共4页
Journal of Kashgar Teachers College
关键词
《红旗谱》
革命历史叙事
人格化想象
合法性
The Ancestry of Red Flag
Revolutionary history memory
Historical revolutionization text
Nation-state