摘要
瓷业技术传播是古代手工业史上的一个常见的、却是容易被简单化的问题。我们在观察古代瓷器手工业遗存的时候,经常会注意到甲乙两地某些技术因素的相似性,比如瓷器釉色、造型或装饰的类同,或装烧工艺与窑炉建造方式的近似。这些显而易见的事实往往使人联想到古代窑场之间的技术交流。但是透过瓷业遗存本身,洞察其背后隐藏的人的生产与精神活动,了解技术交流完成的过程,以及社会变迁的信息,却是一件不容易的事情。已有的关于瓷业技术交流的研究,多停留在对瓷业遗存本身的描述与比较上,尽管也有学者从梳理手工业制度入手,
This paper discusses the levels, approach and background of technical exchange in the porcelain handicraft industry of Song Dynasty. The author limited herself to t hree aspects of the subject, the form of technical exchange among folk kilns, system of feudal official workshop, and technical text. With regard to the three main types of communicating media, products and craftsmen mostly decide the level of technical exchange. As a result of the change of system of official workshop from Tang to Song Dynasty, the channel of technical ex- change of kilns has been widened. Deserving more attention, specialized paper on porcelain manufacture appeared among the folk literatures in this period. However, the writing aim, range of distrib ution and effects of this kind of literature still remains unsolved.
出处
《考古与文物》
CSSCI
北大核心
2007年第1期83-89,共7页
Archaeology and Cultural Relics
基金
"中央民族大学青年教师科研基金项目"资助。