万物花开 诗心绽放——论21世纪初女性诗歌写作的物性向度

BLOSSOMIMG OF EVERYTHING MATERIAL AND FLOURISHING OF WOMEN'S POETRY——ON THE TENDENCY TOWARD THE EXPRESSION OF THE MATERIAL IN WOMEN'S POETRY WRITING AT THE BEGINNING OF THE 21^(ST) CENTURY

进入21世纪,女性诗歌写作之翼“一再沉降”,紧贴着此岸世界行而下的世事万物与世俗生活,又能向着彼岸世界的理想与梦想抽身而出;既俯首委身于消费时代的物质文化,又君临超度在主体意识渐趋成熟的精神王国;不仅表现出女诗人对物品、物事、物象、物态的高度敏感和兴致,而且表现出她们向着物质与精神同构、鱼与熊掌兼得、玫瑰与诗心共赴的自信与努力,使女性诗歌在抒写女性经验、张扬主体意识、澄明人性本真的过程中获得了一种富有活力的写作策略和艺术表现力———物性抒写,映现出女性诗歌以其特有的艺术张力呼应并推动着消费文化,显示出一种新的女性诗歌写作场域的拓展和审美向度的可能。

After entering the new century ＂the wings of women poetry descend downwards again and again＂. While clinging to everything material of this world and the secular life, women＇ s poetry manages to pursue the ideal and dream of the other world; while submitting to the material culture of the consuming age, women ＇ s poetry stands above transcendentally in the spiritual realm of a gradually maturing subjective consciousness. This reveals both their sharp sensitivity to and great interest in the items, matters, images and states of matters, and also demonstrates their confidence in endeavoring to achieve the isomorphism of both the material and the spiritual, the reconciliation of the two contradictive sides, and the accomplishment of both the rose and the poetry. Thus women＇ s poetry acquires a dynamic writing strategy and an artistic expressive force, namely, the expression of the material, in expressing the feminine experi- ence, manifesting the subjective consciousness and purifying the primitive truth of human nature. This reflects that women ＇ s poetry, through its unique artistic tension, both echoes and advances the consuming culture, and reflects the extension of the writing field of women＇s poetry and the possibility of a new artistic tendency.