摘要
贾谊以《新书.匈奴》篇为代表的御边策写于他任长沙王和梁怀王太傅期间,体现出他在离开中央朝廷之后仍然关注国家安危,积极参与现实的精神。这些作品善于营造声势,往往运用形象的比喻阐明道理,进行对比时极力夸张。贾谊的御边策渗透的是儒家理念,在宣扬这种理念时多用生动的叙述和形象的描绘,使说理文具有叙事文的特征。其中分类铺陈的手法上继《楚辞.招魂》的传统,下开汉代散体赋的风气之先。这些作品有关乐府、角抵戏的叙述,对于研究汉代文学具有重要的文献学价值。
JiaYi' s policies of defending the border,with Xinshu·XiongNu as its representative, was written after he left the central imperial government. It showed his condern for the country' s safety and his spirit of attending reality actively. Permeated with the concept of the Confucian school, These books used vivid narration and description, which make discussing article have the feature of narrative ones. These articles' narration about the music organ and the opera of Jiaodi has important documental value for studying literature of Han Dynasty.
出处
《沈阳师范大学学报(社会科学版)》
2007年第1期96-99,共4页
Journal of Shenyang Normal University(Social Science Edition)
关键词
贾谊
御边策
《新书·匈奴》
Jia Yi
the policies of defending the border, Xinshu·XiongNu