华夏民族的爱神、美神崇拜

CHINESE NATION'S WORSHIP OF THE LOVE AND BEAUTY GODDESS

中国的性爱神与美神成为一而二、二而一的感性存在可以证明,在民族深层心理结构体系中,对于女性美的审美价值的评判是:爱与美同在,女神的爱与美代表着一种超功利的美学观念的发生。这种美学观念于不自觉中突破了弥漫四周的以男性为中心的语言符号的压迫,树立着爱与美之女神的不朽形象,左右着华夏民族“集体的梦”。女神所生发出来的女性精神及相应的女性崇拜的集体无意识倾向,可谓是人类命运史或文化史上的潜宗教。它化作“社会性的共同情感”潜伏在文学作品中。

The one-divided-into-two and two - combined-as-one perceptual existence of Chinese goddess of love and beauty proves that in the system of deep national mental structure, the aesthetic judgment for feminine charm is that love and charm coexist and the love and charm of the goddess represents a superutility aesthetic. Such an aesthetic concept unconsciously breaks through the suppression of the male-centered linguistic notation, sets up the perpetual image of the goddess of love and beauty, and influences ＂the dream of the Chinese nation as a whole＂. The woman spirit emitting from the goddess and the corresponding mass unconsciousness of the worship of femininity can be regarded as the potential religion in the destiny and cultural history of the human beings. It incubates in literary works as ＂a mutual social emotion＂.