摘要
灵感是美学视野中的重要目标,它在文艺创作中占有重要地位。在中外美学史上,对灵感的研究古来有之。文章试图从中外文论家的具体描述入手,试图通过陆机的“天机说”与柏拉图的“迷狂说”来比较中西古代灵感理论的差异,并探讨中西文化精神差异。
The inspire'on is an important target in the esthetics visual field,it occupies an important position in the literature artistic. On the Chinese and Foreign esthetics history,many people have researched into inspiration.This text tries from the ancient Chinese and Western literary theorists' concrete description of the inspiration,and tries to compare Luji' s "the theory of Heaven's motive" with Plato' s "Inspiring madness theory", and tries to analyze the differences between Chinese and western ancient inspiration theories,and inquiry into their different cultural spirit.
出处
《成都大学学报(教育科学版)》
2007年第2期106-108,共3页
Journal of Chendu University:Educational Sciences Edition
关键词
灵感
天机说
迷狂说
文化精神
inspiration
the theory of Heaven's motive
Inspiring madness theory
cultural spirit