摘要
对中国现当代文化发生、发展的认识,一旦离开了对中国社会文化的主体境遇感受,离开了中西文化整体比较中的精神主体建构和创造,中国现当代文化与中西文化的关系就会发生“主体”的位移,其表现为“主体”向在自身“结构”中显示其意义的中国古代文化或西方文化的偏移。半个多世纪以来的中国现当代学术在外观形式上依附于中国现代文化分裂的历史形式,其更深刻的根源,在于中国现当代文化以及中国现当代学术的独立性和自主性的严重不足。
The awareness of the genesis and development of modern and contemporary Chinese culture,if away from the feeling of the subjective situation of Chinese social culture and away from the construction and creation of the spiritual subjects in the complete comparison between Chinese and Western cultures,would lead modern and contemporary Chinese culture and its relation with Western culture into subjective displacement,which is mainly manifested in the tendencies towards ancient Chinese culture or Western culture.For more than half a century,modern and contemporary Chinese academia depends on the historical form of rupture in modern Chinese culture,but the deeper reason lies in the serious inadequacies of independence and autonomy of the modern and contemporary academia.
出处
《文艺研究》
CSSCI
北大核心
2007年第3期32-40,共9页
Literature & Art Studies