《巴黎圣母院》的球体空间对衬叙事

NOTER-DAME DE PARIS's spheroid space narration to lining

雨果的美丑对衬是其《巴黎圣母院》获得成功的法宝,他借助此种形式的使用,一方面突破了古典主义对浪漫主义的围攻,从古典主义的束缚中彻底摆脱了出来。另一方面更重要的是,他实现了自己所倡导的艺术形式常变的构想。同时,《巴黎圣母院》对美丑对衬形式的成功使用,缘于雨果作为诗人对诗歌复沓重叠形式魅力的深刻理解和巧妙转用,它巧妙地创立了球体空间网状对衬内叙事的形式,强化了审美效果。

Hugo＇s contrast of beauty with ugliness is his successful weapon of NOTER - DAME DE PARIS. By using this kind of form, he broke the siege of classicism towards romanticism, and thoroughly got away from the classic doctrine. It is more important that he achieved his dream of leading a form of art that can be often changed. The successful usage of the compound contrast of beauty with ugly in NOTER - DAME DE PARIS came from Hugo, who is a poet either, comprehended deeply and used freely with the channing compound form of poems, and it enhanced its esthetic effect of the famous compound contrast of beauty with ugliness.