晚明景德镇民间青花瓷蟹纹解析

Analysis of Crab Design on Blue-and-White Porcelain Made in Jingdezhen Civilian Kiln in Late Ming Dynasty

景德镇青花瓷艺术发展至晚明（嘉靖至崇祯末年），出现了民窑大发展的全新局面，特别是晚明后期的天启、崇祯时期，官窑生产基本停顿，民窑进入更加自由的发展阶段。此时期于花瓷上的蟹纹装饰突然开始增多，并成为大众喜闻乐见的主要纹饰之一。

Crab design is very common on Blue-and-White Porcelains in Jingedzhen civilian kiln in late Ming dynasty .The painting style is rather free and is of scholar taste.The difference with scholars＇ paintings is that these designs are often of auspice ,while the paintings of scholars are always cynical.