全球化背景下的敦煌艺术再生问题研究

A Study of Dunhuang Grotto Art Regeneration From Perspective View of Globalization

敦煌艺术再生既是新的艺术品种和艺术流派的产生,又是经典艺术在新的时代背景下的价值增值。敦煌艺术再生,既是艺术的再创造和文化的自我增值,是民族文化在全球化背景下“化全球”的先声,同时也是经济文化发展的新的增长点。敦煌艺术的再生机制在于全球化背景下的民族艺术张力和人为的发掘提炼,以及市场运作。对敦煌艺术再生问题的研究应该从哲学、美学、宗教、门类艺术的不同角度,运用典型分析法展开。

Dunhuang grotto art regeneration is the new production of art-form and art-school and proliferation of classical art in the new era. It is the recreation of art and self-multiplication of culture, and is the prologue of assimilating world performed by the national culture in the context of globalization and the new growth point of economic culture development. The mechanism of gaining the furit of Dunhuang grotto art regeneration is based on the exploring and refining of the national art＇s tension, and the operating of market as well. The study of Dunhuang grotto art regeneration should be carried out by using the typical analytic method from philosophy, aesthetic and arts categories perspectives.