摘要
陈白露与娜什泰谢都是凄艳绝美、亦正亦邪的交际花。她们在不同的时空里,却有着相似的经历,为我们演绎了从堕落到救赎、从挣扎到死亡的人生启示录。她们不同的个性气质、不同形式的悲剧历程中却蕴涵有相同的美学意义,即对旧制度、旧生活和旧我的反叛,追求精神生命的永恒。
Dew Chen and Nastasia, two beautiful and complicated party girls, share an experience alike in different times and space; but both give an apocalyptic revelation of life from depravation to salvation and wind up death after struggle. The difference in the character and the tragedy contains the same esthetics meaning, namely, the fight against obsolete system, life and even themselves and the pursuit of spiritual immortality.
出处
《宜宾学院学报》
2007年第2期30-31,共2页
Journal of Yibin University
关键词
陈白露
娜什泰谢
悲剧
美学意义
Dew Chen
Nastasia
Tragedy, Esthetics Meaning