摘要
在经济全球化和现代媒体超常发展的冲击下,艺术和生活的界限已经模糊了,"日常生活的审美化"已经成为今天社会和文化的领域里一个令人关注的现象。在我国,目前这种现象主要表现在城市文化中,其发展有着不平衡性和局限性。在后现代的语境下,艺术品和日常生活的鸿沟已经填平,,审美过程更注意主体对作品的接受过程,更依赖主体的自我构建。"日常生活的审美化"的盛行,必然带来传统艺术的边缘化,这也给文艺理论的研究带来新的出路。
In terms of theory and practice, this paper discusses the esthetic question of daily life centered on by the academic circles at present. From the perspective of synchrony and diachrony, it also expounds how this idea has been formed in our country and points out in China there is no enough popular culture background for it to develop better. lastly, with the background of daily esthetics,it probes into some esthetic cases under the context of post-modem culture, pointing out that as a studying method to this phenomenon, the culture study is being developed.
出处
《宁德师专学报(哲学社会科学版)》
2007年第1期64-68,共5页
Journal of Ningde Teachers'College(Philosophy and Social Sciences Edition)
关键词
日常生活
审美化
大众文化
城市文化
后现代
daily llfe
esthetics
popular culture
megalopolis culture
post-modem