邵氏黄梅调电影艺术论

The Arts of Shao Films of Huangmei Opera

在电影工业理念下的邵氏黄梅调电影,尝试了走现代性格的戏曲电影之途,为传统艺术在现代艺术中的转换作了有益的实验。邵氏黄梅调电影的艺术特征首先反映在银幕结构上是以主唱段分割的唱段式结构;第二是它的通俗流传,因为其黄梅曲调好听易唱;第三是它的写实风格,体现在写实时空与写实动作造型两方面。虽然邵氏黄梅调电影已不是原来意义上的“戏曲”,但邵氏黄梅调电影自身的艺术“空间”,却给了我们“创新”的可能,它都显示了人们对艺术概念的重新思考——一种建筑在电影基础上的,以大众的市场思考为主的“以戏就影”的黄梅调电影。

The Shao films of Huangmei opera, though only one of opera film genres, have distinctive features. It can be said that, under the guidance of industrial principles, it tries to make a modern approach to the opera film and provides useful practice for modern transformation of traditional arts. This unique art focus on the film structure of popular, separated, national arias, and the Huangmei song of pleasing to ear, and the realism of style, time, space and action. Although being different from the ＂original＂ H uangmei opera, it gives a ＂creative＂ art, embodying the re-thinking on the art connation, that is, the Huangmei opera on basis of fitting into the film and facing the mass market.