摘要
李商隐和孟浩然虽然生活在不同时代,作品风格也多有不同,但他们对诗歌艺术的追求是一致的。李商隐的爱情诗和孟浩然的山水诗,都选用了较多的残缺意象和空白意象,给人想像的空间,以达到一种言外之意、蕴外之致的艺术效果,反映了他们理想不能实现的痛苦和对美好精神世界的追求。
Although Li Shangyin and Meng Haoran lived in different periods, their styles of poems were different. However, they had the same pursuit of poetic art. The love poems by Li Shangyin and landscape poems by Meng Haoran adopts more inadequacy images and blank images, which gives people leeway of imagination so that artistic effects of illocution and implicat ure can be reached. This reflects their pain in their unfulfilled ideals and their pursuit forawonderful spiritual world.
出处
《咸阳师范学院学报》
2007年第1期87-90,共4页
Journal of Xianyang Normal University
关键词
李商隐
孟浩然
诗歌
残缺意象
空白意象
Li Shangyin
Meng Haoran
poems
inadequacy images
blank images