摘要
英国浪漫主义诗人济慈所提出的“消极感受力”的命题中所包蕴的现代性、后现代性思想和诗与艺术本真超越尘俗的精神在济慈研究,外国文学研究与文艺理论批评中都未得到完全,充分,足够的重视。本文正是试图从“消极感受力”这一命题的视角出发,初步阐发了只活了26岁的年轻诗人济慈,用自己的诗意生命所体悟到的个人艺术才能与对诗学传统文化的“消极”状态的关系,及诗人自身的分裂与诗人无个性意识的伟大的现代性,后现代性思想的火花,并且大胆的把济慈对艺术的体悟与中国道家“为道日损”的境界相互阐发,体悟济慈对艺术本体的认识。
"Negative capability " refered by English romantic poet John Keats contains the modern and post-modern thoughts, and it relates the super and meta nature of art and poem,but in foreign literature study, literary critique and theory,it has not been highlighted and explained adequately. This paper focuses on the point of "negative capability" will try to explain the tasting of the "negative" relationship between art talent and poetic traditional culture, to analyse the sense of poetic character no identity, and to compare Keats~ intuition on poetic art to the spirit of Chinese Tao to decrease daily for the pursuit of Tao, which was experienced by John Keats who had just lived 26 years for his whole life.
出处
《安徽广播电视大学学报》
2007年第1期99-102,106,共5页
Journal of Anhui Radio & TV University
关键词
济慈
消极感受力
现代主义
后现代主义
诗人无个性
为道日损
John keats
negative capability
modernist
post-modernist
no character
to decrease daily for the pursuit of Tao