清代文论对“格”范畴的阐说

Illustration of the Category of “Ge”(style) of the Literary Theory in the Qing Dynasty

清代文论对“格”范畴的阐说,主要体现在两大领域:一是诗论中对“格”的阐说;二是词论中对“格”的阐说。其内容,主要表现在三个维面:一是对“格”作为文学审美之本的标树,二是对“格”审美特征与要求的探讨,三是对格调之论的反思与消解。清代文论对“格”范畴的阐说,为我们今天更好地把握“格”审美范畴提供了平台。

The illustration of the category of ＂Ge＂（style） of the literary theory in the Qing Dynasty is mainly embodied in two fields： one is the explanation of the poetic theory and the other is that of the Ci-poetry theory. Its contents are mainly shown in three aspects： praising it as the poetic aesthetic root, probing into its aesthetic characteristic and requests, introspecting and dispelling the theory of ＂Ge＂. The illustration of the category of ＂Ge＂ of the literary theory in the Qing Dynasty provides a platform for us to master the aesthetic category of ＂Ge＂.