陈染作品中的身份认同轨迹

The Identity In Chenran's Novels

陈染作为20世纪90年代女性文学的一个突出个案,曾引起文学界和评论界的广泛关注。文章尝试运用社会心理学的认同理论,并结合女性主义的研究方法,通过对陈染的作品分析,来揭示陈染创作中的身份认同轨迹。通过分析我们可以看到,陈染在20世纪80年代写作之初,还没有明确的性别意识和性别立场。这一时期她的创作经历了身份认同感的缺失与寻找的焦虑这两个阶段。进入20世纪90年代以后,陈染的创作风格趋于成熟,她的作品开始具有了明确的女性意识,然而同时期陈染的作品还没有能力构建出理想的女性人格,她的身份认同之路依然充满了曲折。

Chenran as a special case of the nineties female literature, she was honoured the extensively concern of literature and comment circle. This dissertation endeavors to make an analysis of Chenran＇ s novels starting with identity theory and combinating with the femininism theories. By examining Chenran＇ s early novels, we can see that Chenran had not been the clearly femininity in this stage, on the other hand Chenran tried to explore the self-identity by changing the style of her writing. In 1990＇ s Chenran＇ s femininity consciousness awakened, and try to build the female subjectivity in her novels. But facing the strong paternity her path towards female identity stil with lots of difficulty.