比较思维与中国现代新诗欣赏——兼论中国现代新诗欣赏的中外比较

On the Comparative Thinking at Home and Abroad and the Appreciation of Chinese New Poetry

比较是中国诗歌欣赏的重要传统。没有比较就不可能有中国诗歌一代接一代的承传。中国现代新诗发生发展的特点决定了它的艺术特征必须在中外诗歌的比较中加以确立。从郭沫若和李金发的诗歌创作比较中,可以看出中国现代新诗对西方诗歌的接受与变异,尽管西方诗歌对于中国现代新诗的发生与发展产生了极大影响,但是因为各自的艺术渊源、文化精神及人的生存方式的不同,中国新诗与西方诗歌也有鲜明的差异。因此,对于中国现代新诗的欣赏,既要用情感去感受情感应和,用生命去感受生命感动,还要对诗歌外在语言艺术形式及其所蕴含的内在韵致进行把握与阐释。

Comparison in Chinese poetry tradition depends on the heritage of it from generation to generation, which has decided its artful features along the developing characteristics of Chinese modern poetry in the poetic comparisons at home and abroad. According to the comparisons between Guo Moruo＇s and Li Kingfa＇s, it turned out the clear assimilation and alienation in Chinese modern new poetry, although there has been a deep influence of the western poetry on China＇s, the latter has the distinctions from the former because of the art sources, cultural spirits and people＇s lifestyles of their own. So the appreciation of Chinese modern new poetry must be attached not only on emotional senses and life feelings but also on graceful understanding and overall interpretation to its external forms and internal connotations.