论周作人的新诗理论与创作——兼谈与其民歌研究之关系

On the Theory of Neo-poem and Its Composition of Zhou Zuo-ren as Well as the Relation of His Research for Folk Songs

周作人是我国“五四”新文化运动的重要作家,也是我国现代白话新诗的开拓者之一。他在文艺论著中提出他的新诗主张,对诗歌的本质与特点,诗的地方色彩、民族特色与个性表现的关系,诗创作对诗歌语言简练、含蓄的要求,新诗人将古典诗歌优秀的抒情传统、表现方法与外国现代诗歌的艺术精神、表现技巧融合以创新的正确态度,以及对中国现代诗歌发展道路的多元化思考等,都作了完整、系统而周密的论述,并在此基础上进行了卓有成效的新诗创作实践,在中国现代诗歌的初创、构建与变革当中,曾有过不可忽视的贡献和影响。他的新诗理论主张和创作实践与其民歌研究有着千丝万缕的联系,应该值得关注。

Zhou Zouren, as one of the major writers in China＇s May 4th Neo-cuhure Movement and one of the innovators of modem Chinese neo-poetry, in theory, had presented his worthy opinions and systematic discussions of creating neo-poetry in his many art works, such as essence and features, links among localities and nationalities and personalities, demands for purified and implied poetic discourses, integration of excellent traditional styles at home and outstanding modern presenting skills abroad, multicultural thinking of modern Chinese poetry forwardness, etc. and in practice, he had made remarkable achievement and influence in the fundamental, constructing and revolutionary periods of modern Chinese poetry. It is necessary to pay great attention to Zhou Zuoren＇s theory of the neo-poem and its composition practice and the close links with the research for the folk songs.