摘要
郑敏的题画诗创作,在中西诗画同源探讨中,承续本国传统的审美创作手段,博采世界艺术资源,在有意提高审美鉴赏品位的同时,为现代汉语新诗的推广与普及做出了贡献。而郑敏的具像诗创作尝试主要有两种形式:一是通过对文字进行排列构成某一形状;二是借用中国古典绝句形式来创作短诗。
ON the study of homology in the central and western poems and paintings, Zhenmin's poetry creation in form : inscription poems for paintings that is the traditional aesthetic creation, also employs the art world resources. So it improves the aesthetic appreciation and taste, and the promotion and popularization of modern Chinese poetry as a whole. There are two forms of Zhenmin's poetry creation with unique shapes: the first major attempt to language in order; The second is to use the form of Classical Chinese Poem.
出处
《钦州学院学报》
2007年第1期39-43,共5页
Journal of Qinzhou University
关键词
郑敏
题画诗
具像诗
Zhengmin
inscription poems for paintings
poems with unique shapes