传统与现代的冲突嬗变——女性诗歌性别意识发展轨迹描述

The Evolution of Conflict between Tradition and Modernism——On the Process of Gender in China’s Female Poems

女性诗歌中含有的性别意识经历了一个从传统到现代的漫长发展过程。在封建意识形态压抑下,女性诗歌不自觉地认同男性中心主义,作品中没有独立的性别意识;“五四”时期是中国社会女性意识勃兴萌发期,也是关键期。反映在诗歌中就是从这个时期开始,女性从思想上开始重视自己这一性别;性别意识随社会发展而渐趋强劲,在经过了半个多世纪的彷徨、喧嚣、浮沉后,在西方女性主义理论、实践的刺激下,中国女性诗歌中性别意识终于有了崭新的面貌。女性诗歌创作真实地反映了这一演进状况。

The gender consciousness in female poems underwent a slow change from tradition to modernism. Under the pressure of feudalism, women, in their poems, had no their own gender consciousness, merely identifying themselves with men＇s dominance; the period of the May 4^th Movement was most and critically important for appearance and development of gender awareness in China. From this period on, woman began to take their own gender seriously in poems, and gradually tended to strengthen this kind of consciousness. After half a century＇s hesitation, excitement, retrogresses, gender consciousness in China＇s female works, catalyzed by the theory and practice of the western feminism, finally came to its independence, which was realistically reflected by female poems.