本雅明对于光晕艺术的再阐释

Walter Benjamin’s Reinterpretation of the Auratic Art

光晕艺术特有的生产和接受历史以及对其独特的感知方式使其在艺术欣赏中获得了独有生命,体现了本雅明所欣赏的一种艺术品与其观众之间和谐交流的关系,为此本雅明曾颂扬之。然而当本雅明敏锐的觉察到光晕艺术被纳入到法西斯自我美化的程序中而沦落成为纳粹政治暴力的工具时,他便重新对其进行了阐释,意欲摧毁之。本氏对光晕艺术的再阐释将艺术与政治相联,其寓言式的批判实践为他之后的批评家提供了一种全新的批判视角。

The auratic art with very history of production and reception, with the perception of it contributes to its unique presence, which in its early times makes a great contribution to the establishment of the tender feelings of man for works of art. Walter Benjamin admires the harmonious relations between a work of art and its viewer. But as soon as Benjamin perceives that it has already become the means of Fascism, he begins to rethink of the significance of the auratic art. Walter Benjamin＇s allegorical critique taking both art and politics into account is deeply suggestive, which illuminates his followers＇ critical ways of seeing the world.