摘要
德国古典美学的重要理论代表席勒在批判地继承前人的基础上提出“感性—客观地解释美”的思路,并把美界定为“现象中的自由”和“活的形象”。这一思路克服了经验主义和理性主义相互对立的缺陷,自觉地把实践理性——自由——技艺——实践——生命——美联系起来,为人们正确地认识美提供了一个新的角度,在美学史上具有独特的价值。
On the basis of inheriting the achievements of predecessors, Schiller, an important theory representative of German classical aesthetics, points out the way of "explaining beauty with perceptivity and objectiveness" and defines beauty as "freedom in phenomenon" and "living figures". These ideas about beauty overcome the defects caused by the opposite of empiricism and rationalism and consciously make practical rationality, freedom, artistry, practice, life and beauty integrated with each other, which provide a new angle for people's recognition of beauty and unique value in aesthetic history.
出处
《贵阳学院学报(社会科学版)》
2007年第1期73-77,共5页
Journal of Guiyang University:Social Sciences
关键词
美
感性-客观地解释关
实践理性
自由
活的形象
beauty
explanation of beauty with perceptivity and objectiveness
practical rationality
freedom
living figures