论《呼兰河传》内在的张力美

On the Beauty of Tension of Hulan River

《呼兰河传》的故事是零散的,但萧红用她天才般观感世界的方式来叙述,使历史存在的描画更为本原,更有深度。前两章用第三人称与成人话语来叙说故乡的风土人情,而后五章却用第一人称与儿童的口吻来挖掘故乡人麻木的灵魂世界,这看似错位叙述的两部分之间以及两部分内部形成批判与同情、沉重与轻松、纯真与残忍的充满巨大张力的审美空间,让读者咀嚼不尽。

The story Hulan River is scattered, but Xiao Hong tells it in a talented way by her observations and experiences of the world, which keep the description of the history more authentic and persuasive. The people and customs of the hometown is composed by the third personal pronoun and adult＇s language, while the apathetic spiritual world of the hometowns is revealed by the first personal pronoun and children＇s language in the last five chapters. The seemingly wrong-positioned narrations of the two parts and inside description of the two parts involve critique versus sympathy and serious versus relaxed feeling, innocence and cruelty fill the extended space in which people can appreciate beauty and think as possible as they can.