摘要
革命“样板戏”将是人类文学史与精神史永不过时的话题。近十年来(1996-2006)学界关于它的研究视野、思路与深度进一步有所拓展。研究对象集中在文本、剧场与电影。研究路向主要包括创作思路、观众研究、艺术分析、思想主题、语言风格、人物形象、叙事模式等方面。对“样板戏”已有研究成果进行梳理、对得失进行评价、对未来走向进行预估,有利于建立新的研究基点与平台。
Revolutionary "model opera" will be an ever-green butt in the histories of both art and spirit. In the latest 10 years (1996-2006), its studies have been broadened and deepened. The studies mainly focus on texts, theatres and movies. The angles of study include: the development of writing, audience, art analysis, theme, style, characters, narration etc.. To sort out, evaluate and predict the studies will greatly benefit the establishment of new studies.
出处
《涪陵师范学院学报》
2007年第1期26-31,共6页
JOurnal of Fuling Teachers College
关键词
京剧
革命现代京剧
革命“样板戏”
Peking opera
revolutionary modern Peking opera
revolutionary "model opera"