儒·诗·象——试析“一分为三”的思维方式与儒家及诗的联系

Confucianism,Poetry and Image:Confucian Way of Thinking and the Relation between Confucianism and Poetry

与西方的“一分为二”不同,儒家思想体现的是一种中国传统的“一分为三”的思维方式,对“道”与“器”之间的“象”的申明并重视,赋予儒家思想以诗性气质,这一气质的鲜明反映为儒家对诗的重视。本文通过分析“一分为三”的思维方式与儒家对诗教的重视,试图建立“象”与儒家思想的诗性气质及重诗之间的合理联系,并阐明这一点对于儒家文艺思想中审美标准与解读原则的确立的重要影响。

Different from the western mode of thinking ＂one divided into two＂, Confucian thought indicates a kind of traditional Chinese way ＂one divided into three＂. With a poetic attribute that registers as a high recognition of poetry, Confucian thought values the ＂Xiang＂ （image） between the Dao （spiritual factor） and Qi （physical factor）. This paper will discuss both the way of thinking ＂one divided into three＂ and the Confucian recognition of ＂shi jiao＂（education by poetry）, and analyze the relations between ＂Xiang＂, poetic attribute and the recognition of ＂education by poetry＂ in Confucian thought. Besides, it will also analyze the great influence of the very relations on the aesthetic standard and principles of deciphering in Confucian context .