古龙小说复仇模式及其对传统的突破

Vengeance modes in Gu Long’s novels with their breakthrough to traditions

古龙武侠小说力图对传统复仇模式进行借鉴的同时,又有所突破,从而不仅在审美上给人以新鲜之感,而且思想上能给人以启迪和升华,主要表现在(1)传统叙事文学中友情服务于复仇,古龙小说则注重表现仇人之间的友情;(2)传统文学多写“女性勾引不成则诬陷”,古龙写出了女性的报复来自于真爱,以及“育仇人之子使相残以报复”等模式;(3)借鉴金庸,古龙对传统“儿子长大后复仇”模式也有超越;(4)在中外相关母题滋哺下,古龙小说较自觉地将“忍辱复仇”模式回归到侠文学,如“恋酒色惑乱仇敌耳目”、“忍辱为仇敌亲信伺机报仇”、“自辱以激发复仇信念”等。古龙武侠小说创作,对传统复仇主题进行了卓有成效的多重超越。

Friendship always serves for the vengeance in traditional narrative literature, but Gu Long’s novels pay more attention to expressing the friendship between enemies. The mode of females libeling men who refuse their vamping can often be read in traditional literature, but in Gu Long’s novels, females’ revenge comes from the true love, and they teach the sons of enemy to make injure or kill each other for revenge. By learning from Jin Yong’s novels, Gu Long’s works also surmount the mode of “the son revenges after growing up”. Influenced by relevant themes in both China and foreign countries, Gu Long’s novels consciously return the mode of tolerating insult for revenge to the sword-man fictions and surmount the traditional vengeance themes successfully.