丑:贾平凹的审美观照——以《高老庄》为例

UGLINESS:AESTHETIC CONCERN OF JIA PING-WA——Taking "Gao Laozhuang" as an Example

当丑被引入美学领域时就成为美学上的丑,它作为一种否定性的审美评价一般是以艺术美的形式来体现的,即通常意义上的审丑。以审丑为美学追求的西方现代派对新时期以来的中国文坛产生重要影响。1990年代以来,贾平凹创作的美学视角开始转轨,[1]文本中大量运用西方现代派的审丑理论是其长篇小说的显著特点,《高老庄》就是其中较为典型的代表。

When ugliness comes to the domain of aesthetics, it becomes the ugliness of aesthetics, this negative aesthetic appraise is usually represented by artistic beauty, generally called appreciation of ugliness. Western modernist who takes appreciation of ugliness as aesthetic purse exerts a great influence to Chinese literary circles after 1978. Since 1990s, Jia Pingwa＂ s aesthetic view began to change. Widely employing western modernist＂ s appreciation of ugliness is a prominent feature in his novels, among which ＂Gao Laozhuang＂ is a typical representation.