《汉姆雷特》的批评轨迹(上)

A Critical Htritory of Hamlet

本文追述莎士比亚的悲剧《汉姆雷特》自首演以来400多年的批评,并着重论述比较有影响的几个批评,如浪漫主义和布雷德利的性格批评、弗洛伊德的心理分析、巴赫金的狂欢理论、女权主义批评、历史批评和神话批评等,勾勒出《汉姆雷特》批评的发展演变过程。通过批评我们可以看出《汉姆雷特》的丰富内涵。

This article, following the steps of critical development, discusses the criticism of Shakespeare＇s Hamlet ever since its virginal performance in 1601 to the present. While providing a linear survey of various criticisms, it attempts to focus upon several influential ones such as character criticism by the Romantics and A. C. Bradley, Freudian psychoanalysis, Bakhtin＇s carnival theory, feminist criticism, historical perspective and archetypal criticism, thus revealing the richness of Hamlet.