摘要
李少红是第五代导演中的杰出代表,她自觉地把女性悲剧意识融入自己的影视创作之中,不仅弥补了以往众多影视文本中女性悲剧意识的缺失,而且在这种理念的指导下成功地塑造了不同语境下的多种类型的女性悲剧形象。她以独特的影视叙事风格从性格、爱情、生育以及生存状态等方面分析造成女性悲剧的原因,表达了她自觉而深沉的女性意识,体现了她对女性生存状态的深切关注和多重思考。她所执导的影视剧不仅具有感人的艺术效果,而且具有深刻的悲剧审美意蕴。
Li Shao-hong is an outstanding representative of the fifth generation directors. She intuitively fuses the female tragedy consciousness into her movie and TV plays, which makes up for the hiatus of such consciousness in many other movie and TV plays. Furthermore, she successfully portrays various tragic female figures with the guidance of this mentality. With her unique movie and TV play style, she analyzes the causes of female tragedies such as personalities, love, child-bearing and living conditions and expresses her natural and deep female consciousness, showing her profound concern for and many-sided consideration about women's state of existence. The movie and TV plays directed by Li are not only artistically impressive, but also of profound aesthetic significance.
出处
《宝鸡文理学院学报(社会科学版)》
2007年第1期79-82,共4页
Journal of Baoji University of Arts and Sciences:Social Science Edition
关键词
李少红
女性悲剧
爱情悲剧
生存悲剧
生育悲剧
Li Shao- hong
Female tragedy
Love tragedy
Survival tragedy
Child - bearing tragedy