摘要
美学的跨文化研究的提出本身就是当代语境中的一种跨文化现象。只有在跨文化的当代性视野之中,才能理清美学的跨文化研究的理论前提、研究路向与学术理想。全球化及其文化自觉构成了跨文化的当代语境,也构成了美学的跨文化研究的基本理论前提。美学对自身作为地方性知识的文化自觉及其在全球化语境中的互动认知是美学的跨文化研究的基本路向。在此路向中,美学的跨文化研究把探寻一种多元普遍的审美共识确立为自己的学术理想。
A intercultural study on aesthetics is in itself a kind of intercultural phenomenon in the contemporary context. We clarify the theoretical premise, study direction and academic ideal of the intercultural study on aesthetics only in the contemporary vision of intereulture. Globalization and its cultural conscious- ness constitute the contemporary context of intereulture as well as the basic theoretical premise of the intercultural study on aesthetics. Culture consciousness of aesthetics and its mutual cognition in the context of globalization are the main direction of this study. In this direction the study establishes a plural aesthetic consensus as its academic ideal.
关键词
关学的跨文化研究
文化自觉
审美共识
全球化
地方性知识
a intercultural study on aesthetics
cultural consciousness
aesthetic consensus
globalization
local knowledge
