摘要
意境理论是中国古代诗学关于艺术形象创造和艺术价值评价的重要理论之一,从意境学说的萌芽、诗歌意境理论的成熟到诗歌意境美学理论的最终形成经历了漫长的历史发展过程。司空图的《二十四诗品》在意境理论的构造过程中起了很大的作用。《二十四诗品》对24种表象不同诗歌意境的美学本质的阐释确立了意境理论在中国古代诗学体系中的显赫地位。
The artistic conception theory is one of the important theories applied in the appraisal ot artistic image and artistic value. It went through a long history from the beginning to maturity and to culmination. The Twenty-Four Poetry Style, written by Si Kongtu played a significant role in the formation of artistic conception, and the essential interpretation of the aesthetic nature of Twenty-Four artistic conceptions which ard different in form placed the artistic theory in and outstanding position in Chinese ancient poetry study system.
出处
《黄山学院学报》
2007年第1期125-128,共4页
Journal of Huangshan University
关键词
诗歌意境
美学
《二十四诗品》
司空图
Artistic conception of the poem
Artistic conception aesthetics
Twenty-Four Poetry Style
Si Kongtu