摘要
以网络文化为主导的当代信息文化潮流有助于促成比较对照、鉴别反思的审美心态和审美思维方式,破除绝对美、普适性审美理想的神话,它使传统的源于现实社会、民族国家、空间和地方的审美惯例遭到了挑战。网络传播全球化扩大了人们交往的范围,促成了新的网际关系和新的人际审美关系。同时,在当代信息文化语境中,审美和文艺接受的客体对象呈现出了极大的复杂性。数字化革命使物质型经济向信息型经济转变,也使文化创意和形象战略日益凸显,新异性与新奇性成为重要的美学标准和追求。
The network of the mass media and Information culture not only create the new aesthetic mentality and thinking pattern, but also the new way of comparison, differentiation and meditation. It does away with the absolute aesthetic fable and ideal. It also challenges to a fight of aesthetics of the real society,the nation - state, the space and the place. The world - wide development of network broadens the scope of human' s communications and creates the new human relations. At the same rime,the object adopted by aesthetics and arts shows the complexity in language environment of information culture. The Revolution of Digitization not only promotes the matter economy to the changes of information economy, but also makes cultural originality and imaginal strategy clear so as to become aesthetic standard and pursuit.
出处
《西北第二民族学院学报(哲学社会科学版)》
2007年第1期117-120,共4页
Journal of The Second Northwest Institute For Ethnic Minorities(Philosophy and Social Science)
基金
国家教育部重大攻关基金项目(04JZD0034)
关键词
信息文化
审美文化
网络传播
information culture
aesthetic culture
anetwork of the mass media