摘要
进行色彩写生必须具有科学的光色变化观念,从客观物象当时当地的具体色彩实际出发,排除“固有色彩观念”的干扰,抛弃对“固有色”的盲目追求,以自然为师,努力表现一切被画物象极为丰富的色彩变化。
When doing colour painting from life, we must set up the scientific concept of light and color changes. Beginning with the concrete colors of the objective object-images then and there, we need to exclude the interference of the concept of intrinsic color, discard the bhnd pursuing of intrinsic color, and reveal the most natural character and the rich color changes of object-images.
出处
《文山师范高等专科学校学报》
2007年第1期95-96,共2页
Journal of Wenshan Teachers College
关键词
固有色
固有色彩观念
色彩
物象
Intrinsic color
the concept of intrinsic color
color
object-image