《文心雕龙》理论批评与自身创作实践的融合与分裂

On the Merging and Splitting of the Literary Criticism and Creation in Writing Mind as Carving Dragon

《文心雕龙》这部书具有浑然一体的双重品格:它不仅是一部体大思精的文学理论著作,同时又是一部师心重情的骈文佳构。《文心雕龙》的不朽魅力就在于它是一部生气灌注的理论之作,精义的发挥与生命的律动、唯美的形式较和谐地糅合在一起。这里从理论批评与自身创作的一体化视角来考察《文心雕龙》,认为此书理论的建构与实践性的感觉力之间既存在着交融互摄,也有若干分裂偏枯,具体表现在“言志”与“缘情”、“衔华”与“佩实”两个方面。《文心雕龙》情志一体、华实相胜的诗性批评话语范式对当代职业化的、零度风格的文学批评依然有较大的批判意义。

Wrting Mind as Carving Dragon contains double quality and style ：it is not only a great work of literary theory,but also an antithetical writing attaching much importance to feelings. The immortal charm of Writing Mind as Carving Dragon is that it is a theoretical work with vitality,in which the elaberation of meaning,rhythm of life and aesthetic form integrated harmonioushy. Observing Writing Mind as Carving Dragon from the integrated perspective of literary criticism and creation, this thesis concluded that in this work there is merging and splitting in the theoretical construction and practical feeling; in concrete terms, that is between ＂expressing will＂（yanzhi）and ＂expressingfeeling＂（yuanqing）, and ＂nursing imagination＂（xianhua） and ＂emphasizing reality＂（peishi）. The integration of will and feeling , and imaginaton aud reality in Writing Mind as Carving Dragon -- this criticism with poetical discourse has critical significance to the contemporary literary criticism which is much professional and almost without any style.