试析朱光潜和钱锺书对于莱辛“诗画异质说”的比较

Comparative Research of Lessing's "the Limits of Painting and Poetry" by Zhu Guang-qian and Qian Zhong-shu

莱辛的《拉奥孔》专论“诗画异质”,成为西方近代文学批评的重要开端。朱光潜和钱锺书都以莱辛《拉奥孔》“诗画异质论”为契机,展开了各具特色的中西比较诗学研究。从比较学上看,莱辛《拉奥孔》对于“诗”和“画”之间的跨学科研究本身属于比较性质,而由《拉奥孔》引发的朱光潜的《诗论》和钱锺书的《读〈拉奥孔〉》则堪称中西比较诗学研究的典范。本文从比较学的研究视角出发,展开朱光潜和钱锺书对于莱辛“诗画异质说”的比较分析,并就其中涉及的理论话题提出自己的看法。

In the history of the world arts, the comparative research of the limits of painting and poetry goes back to ancient times. In the West,Laessing＇s ＂Laocoon＂ became the beginning of modern criticism; In China, Zhu Guang-qian and Qian Zhong-shu advanced related research of Lessing＇s ＂Laocoon. An essay on the limits of Painting and Poetry＂. This text will lead us a comparative research between Zhu Guang-qian and Qian Zhong-shu.