摘要
在藏密艺术中,坛城被视为是最神圣、最奥秘、最有特色的代表性宗教艺术。随着西藏地方统治者和中央王朝的密切接触,藏密坛城艺术便大量流传到了内地。
Tancheng is still regarded as the most sacred, mysterious and representative religious art with peculiar characteristics. With the close contact of local governor of Tibet and central imperial court, Zangrnitancheng art was disseminated to the inland part of China.
出处
《西北民族大学学报(哲学社会科学版)》
北大核心
2007年第1期79-84,共6页
Journal of Northwest Minzu University(Philosophy and Social Sciences)
关键词
藏密
坛城艺术
内地
传播足迹
Zangmi
Tanhcheng art
inland
the track of dissemination