越剧在20世纪初期的新兴与变革发展

The Revival and Reform Development of Yueju Opera in the Early Period of 20th Century

越剧的根在民间,最初称“落地唱书”,1906年尝试了使用角色妆扮代言体的表演形式,开启了戏曲化道路。1920年艺人闯班进入上海大都市,获得了生存机遇,女子越剧随后风靡一时,越剧中心从浙江农村转向上海。“孤岛”时期又为越剧发展创造了独特的空间和时间。袁雪芬的“新越剧”改革使越剧在20世纪三、四十年代上海的新兴达到高峰。越剧的新兴是不断寻找自身艺术特质的变革历程。

The root of Yueju opera is among the people. It is originally called ＂Luodi Changshu＂. In 1906, it tried role play performance instead of body language performance and initiated the opera route of Yueju. In 1920, the performers moved to metropolitan Shanghai and obtained the precious opportunity of existence and development. The women yueju opera became popular after that. Therefore, the center of yueju opera moved from rural area of Zhejiang to Shanghai. ＂Isolated island＂ period created peculiar time and space for the development of Yueju opera. ＂The new Yueju opera reform＂ of Yuan Xuefen made the development of yueju opera in 1930s and 1940s achieve the peak. The prosperity of Yueju opera is the reform process of seeking artistic feature.