沈从文创作晚期文化阐释视阈论

Cultural Interpretative Horizon of Shen Cong-wen's Later Composition

沈从文的创作思想有一个成熟过程,即从创作初、中期的湘西文化本土阐释到创作后期的国家民族整体文化理解与阐释,再提高到创作晚期的人类整体文化理解与阐释。他的创作思想和他的文化理解、文化阐释视阈达成同步同构、相佐相证。在创作晚期云南“抽象抒情”期,沈从文在文学创作上以人类代言人的身份,把关爱人类的生存及其发展作为旨意,体现了强烈的“人类”意识。

In his later creative period （1938 - 1946）, facing to the dual oppositions between the city and village, the central and the edge, the Chinese culture and national minority culture, the Confucianist rational culture and ancient Chu perceptual culture, the western culture and China traditional culture and so on, Sheen Congwen carried on the strategy of the cultural introspection and the critique. Standing in ＂the humanity＂ under the whole field of vision to each kind of cultural shape, he carried on the comparative analysis. He believed that these dual oppositions culture differences cannot be regarded as insurmountably but to be regarded as the coexisting foundation of the diverse culture. So the dual opposition culture move towards blend and infiltrates mutually. Because he stood the point of the cross national culture, the national nationality overall culture even humanity overall culture. His profoundness manifests specifically in ＂the humanity＂ intensely consciousness, so he had become the spokesman of human overall culture. As a higher phase of the cultural understanding and cultural explanation ,he took the humanity as the main body. Shen Congwen had come to actualize the cross-cultural understanding, the whole breakthrough and the fusion of cultural explanation apparent threshold.